ElectroAcoustics Magazine
EDITORIAL NOTE.
Since its 2011 debut in Milan as a hub for Italian contemporary art and musical information, ElectroAcoustics continues its mission as a critical bridge between technology and sound. We are officially opening our doors to a global network of professionals, students, and researchers operating in the fields of arts and critical literature.
ElectroAcoustics is one of the main ways to describe the music created and composed with new technologies, with reference to studies that deal with the interdisciplinary nature of music and its values of meaning. Therefore, doing art as a source of knowledge, our primary attention is for the independent culture, and we are interested in reviewing different works, provided they have a strong socio-cultural impact, beyond music, events, literary works, photography, and videos.
For a deeper look at our mission, explore our featured research: Research Around Sound and Technologies.
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«Latest Critical Intervention»
Editorial / In Memoriam 7/15/2026
Spatialization as an Ontological Act: The Spatial Luthierie of Eraldo Bocca and the Resistance of Matter
On the resistance of matter within the post-digital horizon—between the structural manipulation of tape and the spatialization of the digital file, the paradox of the 'para-acousmatic,' and the physical hand-to-hand engagement of sound staging understood as a second-order writing—this editorial traces the theoretical and material legacy of Eraldo Bocca: a spatial craftsmanship conceived as an ontological device this side of contemporary lissage, where the acousmonium becomes an architecture of the déjà-là and the loudspeaker acquires a radical theatrical grain.
ElectroAcoustics Magazine is the web-based, critically informative extension of the Arts & Technologies editorial project.
Submit your work: If you are producing work that treats art as a source of knowledge and navigates the intersection of sound and technology, we want to hear from you. Submit your work or inquiry today.
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Legacy Published Articles Titles
In reverse chronological order.
The adjacent list collects the historic contributions published between 2011 and 2012. These same entries are now fully integrated in English into our current editorial platform: you can read them in their correct chronological placement by navigating through the Magazine, in perfect continuity with our constant evolution and new content.
INAUGURAZIONE ACOUSMONIUM SATOR [REPORT] (2012.02.08) / CINEMA E ACUSMONIUM (2012) / PREMIO PHONOLOGIA - CENTRO SAN FEDELE (2012) / ACUSMONIUM SATOR 14-15 APRILE (2012) / MASTER DI ACUSMATICA CON ANNETTE VANDE GORNE (2012) / LIVING VOICE - ILV BRUGGE 2012 / MÉTAMORPHOSES - MUSIQUES & RESEARCHES (2012) / MOSTRE A MILANO [REPORT] (2011.12.09) / CINEMA: MELANCHOLIA DI LARS VON TRIER (2011.12.06) / CINEMA: A DANGEROUS METHOD (2011.10.08) / AMEE: CALL FOR VISUALMUSIC - VALENCIA (2011.10.06) / CHIMURENGA ELECTROACOUSTIC ENSEMBLE (2011.10.06) / CONVERSATIONS: FOTOGRAFIA AMERICANA A MILANO (2011.10.05) / CAMERA POLICE DI FRANCK VIGROUX (2011.10.05) / GLOBALALIA DI TREVOR WISHART (2011.10.03) / CINEMA: LET ME IN NELLE SALE ITALIANE (2011.10.01) / YOU ARE THE QUARRY - MORRISSEY (2011.10.01) / ROMINA DANIELE AL SUPERSOUND DI FAENZA (2011.09.26) / JUSEPE DE RIBERA: IN MOSTRA A NAPOLI (2011.09.21) / ARTEMISIA GENTILESCHI: IN MOSTRA A MILANO (2011.09.16) / CALL FOR ENTRIES: GEORGIA TECH'S 2012 (2011.09.10) / IL MONTAGGIO DI SERGEJ EJZENŠTEJN (2011.09.09) / L'AUDIOVISIONE DI MICHEL CHION (2011.09.04) / OPEN CALL: HANDMADE MUSIC (2011.09.02) / NOTHING BUT THE SOUND DI RDM RECORDS (2011.09.02) / LIVING VOICE - WORKSHOP CON TREVOR WISHART (2011.07.30) / RANDOM OR NOT RANDOM IN CONSERVATORIO (2011.07.20) / ROMINA DANIELE, SPANNUNG PERFORMANCE (2011.07.15) / FRANÇOIS BAYLE A BOLOGNA (2011.05.18) / CONCRETAMENTE MUSICA - BOLOGNA (2011.05.18) / MELTINGPOT (2011.04.01)
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