ElectroAcoustics Magazine
Digital Edition of Arts & Technologies
EDITORIAL NOTE.
Since its 2011 debut in Milan as a hub for Italian contemporary art and musical information, ElectroAcoustics continues its mission as a critical bridge between technology and sound. We are officially opening our doors to a global network of professionals, students, and researchers operating in the fields of arts and critical literature.
ElectroAcoustics is one of the main ways to describe the music created and composed with new technologies, with reference to studies that deal with the interdisciplinary nature of music and its values of meaning. Therefore, doing art as a source of knowledge, our primary attention is for the independent culture, and we are interested in studying and reviewing different works of art, provided they have a strong socio-cultural impact.
For a deeper look at our mission, explore our featured research: Research Around Sound and Technologies. ElectroAcoustics Magazine is the web-based, critically informative extension of the Arts & Technologies editorial project.
«Latest Critical Intervention»
Editorial / In Memoriam 7/15/2026
Spatialization as an Ontological Act: The Spatial Luthierie of Eraldo Bocca and the Resistance of Matter
On the resistance of matter within the post-digital horizon—between the structural manipulation of tape and the spatialization of the digital file, the paradox of the 'para-acousmatic,' and the physical hand-to-hand engagement of sound staging understood as a second-order writing—this editorial traces the theoretical and material legacy of Eraldo Bocca: a spatial craftsmanship conceived as an ontological device this side of contemporary lissage, where the acousmonium becomes an architecture of the déjà-là and the loudspeaker acquires a radical theatrical grain.
▼ CONTINUE THE CRITICAL PATH BELOW ▼
Genesis and Historical Traces
Titles In reverse chronological order.
The adjacent list collects the historic contributions published between 2011 and 2012. These same entries are now fully integrated in English into our current editorial platform: you can read them in their correct chronological placement by navigating through the Magazine, in perfect continuity with our constant evolution and new content.
SPAZIALIZATION AS AN ONTOLOGICAL ACT: THE SPATIAL LUTHERIE OF ERALDO BOCCA AND THE RESISTANCE OF MATTER (2026.07.17) / THE RESONANCE OF THE «DÉJÀ-LÀ»: CORRESPONDENCES, INVERSIONS, AND MATERIAL FRICTIONS BETWEEN CHION'S IMPOSSIBLE HISTORY AND THE ELECTROACOUSTIC IMPERATIVE (2026.06.08) / RDM RECORDS RELAUNCHES ELECTROACOUSTIC RESEARCH HUB; CALLS FOR 'ARTS AND TECHNOLOGIES' SUBMISSIONS (2026.05.02) / FILM ANALYSIS: THE DIGITAL CADAVER A CRITIQUE OF "LOVING VINCENT" (2026.04.29) / ARTS AND TECHNOLOGIES EXPLORES THE PROFOUND INTERSECTION OF SCIENTIFIC RESEARCH AND CREATIVE EXPRESSION (2026.04.24) / THE GHOST IN THE GARDEN: AN ELECTROACOUSTIC CRITIQUE OF THE MIAMI BEACH SOUNDSCAPE PARK (2026.04.29) / NEW RELEASE: THE ECHOES OF USHER, A RADICAL "SOUND-THOUGHT" REINTERPRETATION OF JEAN EPSTEIN'S 1928 FILM (2026.03.12) / 2018: RDM RECORDS X JADYS DANIELE'S | THE MIAMI LIVE SERIES (2018.10.22)
2026 Series: The New Critical Body
Continuous Publication.
ACOUSMONIUM SATOR OPENING (2012.02.08) / VOCAL TOTALITY: TECHNICAL ANALYSIS OF TREVOR WISHART'S GLOBALALIA (2011.10.02) / CINEMATIC ANALYSIS: FORMALISM AND PSYCHOANALYSIS IN CRONENBERG (2011.10.07) / ETHNOMUSICOLOGY & AVANT-GARDE: THE CHIMURENGA ENSEMBLE (2011.10.05) / MULTIMEDIA COMPOSITION: SPECTRAL MANIPULATION & INDUSTRIAL AESTHETICS (2011.10.04) / CRITICAL REVIEW: MORRISSEY'S YOU ARE THE QUARRY (2011.09.30) / CINEMATIC COMPARISON: NORDIC REALISM VS. AMERICAN ESTHETICS (2011.09.30) / EVENT COVERAGE: RDM RECORDS & ROMINA DANIELE AT SUPERSOUND FAENZA (2011.09.25) / FINE ARTS CRITIQUE: THE YOUNG RIBERA AT CAPODIMONTE (2011.09.20) / EXHIBITION REVIEW: ARTEMISIA GENTILESCHI AT PALAZZO REALE (2011.09.15) / THEORETICAL ANALYSIS: EJZENŠTEJN'S MONTAGE AND ELECTROACOUSTIC REALITY (2011.09.08) / THEORETICAL REVIEW: MICHEL CHION'S AUDIO-VISION (2011.09.03) / INDUSTRY CALL: NOTHING BUT THE SOUND ANTHOLOGY & RESEARCH ESSAYS (2011.09.01) / LIVING VOICE, RESEARCH REPORT: TREVOR WISHART & EXTENDED VOCALITY IN VENICE (2011.07.29) / REVIEW: "RANDOM OR NOT RANDOM" AT THE MILAN CONSERVATORY (2011.07.19) / ARTIST PROFILE: ROMINA DANIELE & THE SPANNUNG PROJECT (2011.07.14) / EXHIBITION REVIEW: R.A.M. COLLECTIVE – ZOON (2011.01.03)
RDM RECORDS IS A FLORIDA-REGISTERED DBA OF ROMINA DANIELE, OPERATING AS A RECORD LABEL AND BOOK PUBLISHER FOR RDM ROMINA DANIELE MUSIC, A BMI-AFFILIATED MUSIC PUBLISHER.
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